With what album have you failed at finding anything bad about? For me it's this. I always come back to it...

With what album have you failed at finding anything bad about? For me it's this. I always come back to it, I always find some new sounds, I always feel like every note is perfect, that it creates exactly the atmosphere it wants and conveys the emotions it wants. 10/10 for me without a doubt.

I think Moonchild could have been a couple of minutes shorter but otherwise I agree

I thought exactly the same on my first listen, though now I feel like it is that long so it contrasts with the finale and enhances it.

All these songs I'm hearing are so heartless
Don't trust a perfect person and don't trust a song that's flawless
Honest,
There's a few songs on this record that feel common

STOP THIS MEME PLEASEMoonchild is the best track in this album!!!
So adventurous

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Anything Burial has ever done

It's literally just an edgy spoken word piece, what's good about it

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agreed.

listening to it right now

The choruses and hooks are pretty good, but the rest is aimless noodling to me

I do respect the musicianship though

>adventurous
yes, this is the word

Agree.

ITCOTCK is the only 10/10 that exists.

>the only 10/10 that exists.

Haha

I agree that it's 10/10, though I don't agree that it's the only album that is 10/10.
What albums do you think are similar in quality or better?

you aren't allowed to be condescending when all you get from ctte is le epic melodies

I can't find a single flaw with this album

I'll get shit for this, but;

Animal Collective - Merriweather Post Pavilion

Burial - Burial

Burial - Untrue

Beefheart - Safe as Milk

Death Grips - The Money Store

Gorillaz - Demon Days

MUCC - Gokusai

NMH - In the Aeroplane over the Sea

Radiohead - OK Computer

Slint - Spiderland

Tame Impala - Lonerism

Tom Waits - Closing Time

Wilco - Yankee Hotel Foxtrot

Frank Zappa - Hot Rats

I absolutely love this album. But the lyrics are awful

you have no original taste you fucking twat, those are all Cred Forumscore. drop trip drop dead

what does original taste have to do with an album being 10/10

i get trip-hate but don't cloud your rationality, fool

it's more the fact that he's some faggy trip that no one cares about trying to seem like his opinion is worth shit. also more than half of those albums are 6/10 at best

>trying to seem like his opinion is worth shit

Literally not even doing that

Also, define 'original taste'

just drop your trip idiot

Why does it bother you so much?

How is my list?

The Velvet Underground - The Velvet Underground & Nico
Boris - Flood
Can - Tago Mago
Avey tare & panda bear - Spirit they've gone spirit they've vanished
The Beach Boys - Pet Sounds
Amon Düül II - Yeti
Otto A. Totland - Pinô
Pharoah Sanders - Karma
Miles Davis - Bitches Brew // In a Silent Way
Bob Dylan - Blonde on Blonde
King Crimson - In the Court of the Crimson King
Animal Collective - Merriweather Post Pavilion
Minutemen - Double Nickels On the Dime
Scraping Foetus Off the Wheel - Nail
Ornette Coleman - The Shape of Jazz to Come
Swans - Soundtracks For The Blind
Yes - Close to the Edge
The Mothers of Invention - Uncle Meat // Freak Out
Talking Heads - Remain In Light
Nas - Illmatic
Autechre - Confield
Love - Forever Changes
Brian Eno - Ambient 1: Music For Airports
David Bowie - Station to Station
Sweet Trip - velocity : design : comfort
The Dave Brubeck Quartet - Jazz Impressions of Japan
Have a Nice Life - Deathconscienceness

Shit taste bro. Maybe one of the worst tastes.

Thanks

In Keeping Secrets of Silent Earth 3

It's my go-to when I want to just let loose and walk around town for a couple of hours.

-flood
-spirit
-mpp
-illmatic
-confield
otherwise pretty solid

>cLOUDDEAD's self titled.
>Atmosphere - When Life Gives You Lemons
>The first 4 The Mars Volta albums.
>Boris - Flood
>maudlin of the Well's discography.
>Godspeed You! Black Emperor's discography.

Pretty basic but these are my album picks.

most exhilarating album

Moonchild is like the perfect litmus test to check for plebs.

Ok, How is flood not 10/10?

the last 3 "I GET UP, I GET DOWN"s made me cry last night

I'm fucking cringing at this thread.

Why do you retards have such shit taste?

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>other people have different taste and they all suck because they like what i don't like

No, you're just obviously retarded children who know nothing about music.

You probably also judge album by the musicianship and lyricism, and totally don't care if you like it or not

Well if you're as hot shit as you claim to be, post what music you like, faggot.

>tfw it's been raining for 3 straight days

Nah, much the opposite. You judge albums based on how arty it seems. You're a meme.
Why should I allow you the privilege?

>You judge albums based on how arty it seems. You're a meme.

Lolno, all I do is rate by how much I enjoyed it, the music is not even arty

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Ok good, you're just shitposting or have shit taste and needs to justify it by calling everyone elses taste shit. Now I know not to respond to you anymore.

Remain in Light

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The cover is awful, there you go, a flaw.

>Karma
GOAT

>Antennas
>Liking crescendocore

LYSF did "crescendocore" before it became a meme.

The vocal harmonies of Yes sound terrible.

The only 10/10s from this decade is Have One On Me and The Age of Adz

>Atmosphere - When Life Gives You Lemons

The song about cigarettes is pretty lame.

It really is flawless on all levels. I also find the transition from Close to the Edge into And You and I especially brilliant. A lot of bands would have followed up something like that by trying to keep that same momentum going, but as soon as you get to the second half you're greeted with the sound of an acoustic guitar being tuned with some subtle electronics somewhere in the distance. The whole album just feels so vivid, like you're actually there in that world, and somehow it doesn't really feel "otherworldly," it feels like something very real and attainable. The the album contains and organic, natural, fleeting kind of beauty. They basically achieved everything that prog was going for with this one record, once Close to the Edge was made the genre had fulfilled its purpose. Bill Bruford apparently knew this as he left directly after they finished its recording. But yeah, flawless record right there.

You just gave the answers you're supposed to give.

Feels is the greatest thing Animal Collective ever achieved. Sometimes an artist's best work is recognized for what it is, sometimes it isn't. Unfortunately, for whatever reason, the sheer perfection that Animal Collective cracked into with that album was overlooked. It's their flawless masterpiece.

>It isn't Fragile

Best album flow

10/10

> King Crimson - In the Court of the Crimson King
> Radiohead - Amnesiac
> The Moody Blues - Days of Future Passed
> Pink Floyd - Atom Heart Mother
> Gorillaz - Demon Days
> Neutral Milk Hotel - In the Aeroplane Over the Sea
> David Bowie - Blackstar
> The Moody Blues - Every Good Boy Deserves Favour
> Candy Claws - Ceres and Calypso In the Deep Time
> Daft Punk - Discovery
> Depeche Mode - Violator
> The Beach Boys - Pet Sounds
> The Beatles - Revolver
> Pink Floyd - The Dark Side of the Moon
> Royksopp - Melody A.M.
> Animal Collective - Merriweather Post Pavilion

if i were able to taste your musical taste it would taste like poo

You forgot the most patrician 10/10 of them all.

> Depeche Mode - Violator
Good taste user

Moonchild is literally one of the most revoultionary and important songs ever recorded. Not to mention comfy af.

>pop-prog
>"patrician"

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You are so cool.

Fragile was basically done for financial purposes in so that they could do Close to the Edge. Also because he had just joined, due to contractual restrictions, Rick Wakeman wasn't able to contribute musically to that album. I think that anything they did in 1971 would have been amazing no matter what, but let's be honest, Fragile was really just them warming up for Close to the Edge.

At least you didn't say Tales From Topographic Oceans, then I'd really be triggered.

Gives me chills.

lol

If you think it's "aimless noodling" then you didn't listening closely enough. Every single moment on that track serves a purpose in provoking an emotional response and compliments the sections that came before it and what comes after it, and builds a sense of tension and release. It's very effortless and effective, and it all achieves what it sets out to do. This album shouldn't be lumped in with Tales From Topographic Oceans. That album was aimless noodling, and as much as it tries to retain what Close to the Edge had, every musical passage on that album, when you really listen intently, sounds like air, it's completely meaningless and serves no purpose other than taking you to the twenty minute mark to trick those who Close to the Edge didn't fully resonate with into thinking that they somehow topped that album. What was amazing about Close to the Edge was that, even though the shortest track on there was nine minutes, there was no aimless noodling, everything had a very precise purpose and fully achieved what it was going for. On the title track eighteen minutes was simply what it took to attain its aim.

>Supper's Ready
>literally a 26-minute-long retelling of Revelations
>pop
Want to know how I know you're a pleb?

Another perfect 10.

violator was my 10/10 when I was 16

I prefer John Whetton or Adrian Belew era of King Cimson over Greg Lake era.

All the melancholy condescending lyrics just make me think of melancholy condescending prog fans

Isnt Selling England By The Pound considered the best Genesis album? What makes Foxtrot better? Besides Supper's ready of course

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*plays 'East Hastings' in the background*